Kino
When newlywed Mina Koblitz returns to Brooklyn from a disastrous honeymoon, she finds two film canisters on her doorstep: Tulpendiebe, the first film by her grandfather Klaus Koblitz, known as “Kino.” Koblitz was once the youngest director at Ufa, but like all his films, Tulpendiebe had been considered lost since the Second World War.
While her new husband lies in hospital with a tropical fever, Mina flies to Berlin. She wants to find out where the film came from, why her grandfather worked for the Nazis, and what happened after he emigrated to Hollywood.
A meticulously researched, fast-moving thriller about artistic responsibility, family ties and historical guilt — and at the same time a declaration of love to the movies, from the silent era to YouTube.
“A fast, complex, exhilarating roadster ride through history and time, a mystery, a documentary, a remarkable remix of reality and imagination.”
Frederick Barthelme · Elroy Nights
“A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema. Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination.”
Owen King · Reenactment