• buy-from-tan

    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Konsum: Behind the Curve

Since I’m behind the curve on most items in this Konsum roundup, the soundtrack for today’s post is provided by Talking Heads, performing “The Great Curve” in Rome in 1980. You can download a DVD of the entire show from Dimeadozen. 4 Months, 3 Weeks, and 2 Days As apparently the last critic in New [...]

Finishing the Novel

A Girl Cut in Two

Chabrol’s latest is a delicious love triangle between a pompous writer (François Berléand), a wealthy fop (Benoît Magimel), and the “divine” TV weather girl (Ludivine Sagnier) who loves them both. Funnier than most of Chabrol’s films, A Girl Cut in Two fascinates with deft characterizations and, of course, the trademark plumbing of depravity gaping beneath [...]

Angel

From highly enjoyable exercises in pop style (8 Women) to over-conceptualized constructs that left me completely cold (5×2), Francois Ozon’s films are hit-or-miss. Misgivings about his adaptation of the novel by Elizabeth Taylor arose the moment the snooty Berlin box office dude made fun of our choice of movie — was this really going to [...]

Sunset Blvd.

Billy Wilder’s timeless noir about the tragedy of fame attained and denied provides up-to-the-minute commentary on the Passion of Lindsay and her latest closeup, but that’s not the angle I’d like to pursue today. Instead, let me draw your attention to a connection that took me by complete surprise last night (yes, I screamed.) Compare [...]

Paul Bowles: The Complete Outsider

Incredibly engaging documentary about the writer’s writer, composer, traveler, expatriate, existentialist, kif connoisseur, husband to Jane Bowles, translator of Jean-Paul Satre, and friend of William Burroughs, Allen Ginsberg, W.H. Auden, and Gertrude Stein. First Run Features is releasing the DVD on July 24. Paul Bowles: The Complete Outsider. Catherine Warnow and Regina Weinrich, 1994. **** [...]

Death At a Funeral

Marcy is taking over reviewing duties for this one, so I’ll make it short: Frank Oz’s morbid farce is the funniest movie I’ve seen this year so far. We’ll have the review up on World/Independent Film before the June 29 opening. Death At a Funeral. Frank Oz, 2007. **** The trailer ruins a few surprises [...]

Molière

“One day, they won’t say ‘speak French to me,’ they will say: speak to me in the language of Molière!” Says Molière, played by an exuberant Romain Duris, waving his tankard before he falls of the tavern table, much to the amusement of the assembled Parisians. But we all know it’s true. And once a [...]

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