Unwatchable, even with the finger on the fast forward button. Johnny Depp, Samantha Morton, and John Malkovich with a ridiculous nose stumble through muddy sets and deliver pompous dialogue; everything has a sepia filter on it. It looked like Depp’s character’s face falls apart in the end. The Libertine. Laurence Dunmore, 2004. * [tags]film, 1 [...]
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"A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme
"Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual force."– Teddy Wayne
"A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.
"A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment
"A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day
"Movie nuts arise! A happy and felicitous debut."– Terese Svoboda
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The Libertine
Posted by Jürgen on September 30, 2006
http://jurgenfauth.com/2006/09/30/the-libertine/
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