Ten years later, Tom Tykwer’s pop masterpiece still fascinates and exhilarates. It’s a film with a simple premise and complex philosophical implications, a movie that’s all about movement which nonetheless points to big questions best contemplated in complete repose. It’s a film about chance, second chances, repetition, and contingency. It’s Groundhog Day with a techno [...]
Paris, je t’aime
…and moi non plus. If there’s a kind of movie I hate to review more than any other, it’s the one that sounds too good to be true. Like a jilted lover obsessively reliving every painful moment, it requires rehashing your embarrassing anticipation and then laying out every deflating pinprick of disappointment. Besides, readers really [...]
http://jurgenfauth.com/2007/04/26/paris-je-taime/
Perfume
Tom Tykwer’s nose isn’t the problem here, his ears are: the tone of his Süskind adaptation is all wrong. It’s been a long time since I read the novel, but somehow Süskind managed to sell the outrageous tale of Jean-Baptiste Grenouille, the strangely gifted 18th-century murderer. Perfume is a strange fable, a dark fairy tale, [...]
http://jurgenfauth.com/2006/12/07/perfume/







