“It’s 1183 and we’re barbarians!” proclaims Eleanor of Aquitaine (Katharine Hepburn), and she’s got a point. The infighting between aging Henry II (Peter O’Toole), his jailed queen, and jealous sons vying for the crown (Anthony Hopkins, John Castle, Nigel Terry) is some of the ugliest — and most twisted — I’ve ever seen. Based on [...]
The Lion in Winter
http://jurgenfauth.com/2007/08/25/the-lion-in-winter/
Avenue Montaigne
Cute comedy about a plucky country ingénue (Cécile De France) who arrives in Paris and finds work at a cafe that serves an area of theaters, galleries, and concert halls. Three storylines develop: an actress (Valerie Lemercier) who wants to play Simone de Beauvoir, a concert pianist who’s had enough (Albert Dupontel), and an aging [...]
http://jurgenfauth.com/2007/07/21/avenue-montaigne/
Slings & Arrows
After Twitch City, another outstanding TV show from Canada. Set at a provincial theater, Slings & Arrows is populated with all the stock types: the borderline-mad artistic director, the sell-out manager, the nosy American board member eager to put on Mamma Mia!, the aging diva, the budding ingénue (Rachel McAdams). Don McKellar makes an appearance [...]
http://jurgenfauth.com/2007/06/12/slings-arrows/
Woyzeck
To me, Herzog’s Büchner adaptation smells of musty classrooms, but Klaus Kinski saves it with an incredible performance as the humiliated, schizophrenic private who can’t take it anymore. The murder at the climax is unbearably intense; the slow-motion take of Kinski with the knife might be one of the most gut-wrenchingly emotional single shots I [...]
http://jurgenfauth.com/2006/11/18/woyzeck/
The Magic Flute
Last night, I had the good luck to get invited to Julie Taymor’s The Magic Flute at the Met. I have no business reviewing opera, so I’ll just say that it was an amazing feast for the senses and leave the rest to the pros: Alex Ross The New York Times New York Magazine Playbill [...]
http://jurgenfauth.com/2006/10/14/the-magic-flute/
Decade-Old Memories
“Clean-cut, midwest farm boy type, almost insultingly good-looking in a typically American way. Good profile, straight nose, honest eyes, wonderful smile…” That’s how the Young Man describes himself in Edward Albee’s The American Dream, in a role I played at Mainz University in 1992. The other cast members of The Day-Old Theater’s inaugural production were [...]
http://jurgenfauth.com/2006/09/13/decade-old-memories/







