The full set.
As the 46th New York Film Festival slouches towards its final weekend — one more movie, one more party, and Catherine Deneuve in the flesh – it’s time for a little roundup. I’ve mainly posted capsules to Worldfilm, with the exception of Che, which is on track for my favorite of the year and required something […]
Counting Ellen Barkin and Mr. Soderbergh himself, more than a baker’s dozen of very talented people are completely wasted in this redundant bore. I get the idea all involved are having a blast making these movies, but by the second sequel of the first remake, the breeziness has turned smug and the exceedingly baroque casino-busting […]
I fully support all of Steven Soderbergh’s cinematic experiments, whether it’s highly personal weirdness (Schizopolis), big-budget romps (Ocean’s 11), remakes of Russian scifi classics (Solaris), or minimalist melodrama (Bubble). So when he makes a 1940s noir with period technology, I’m very much there. The Good German is set in the heart of what’s called “the […]