• buy-from-tan

    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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New York Comic Con

Photos from yesterday’s visit to the New York Comic Con. My review of Takashi Miike’s Yatterman is up at About. I also reviewed Fanboys and Coraline last week.

Hol Chan

Photos from a snorkeling trip to the Hol Chan Marine Reserve in Belize.

Fall Shores

Sea Bright, New Jersey, East Hampton, Long Island, and Lake Wallenpaupack, Pennsylvania.

12:58:03 AM

At the Met

Atlanta Slave Appreciation

This post has nothing to do with Gone With the Wind or the South’s shameful history of chattel slavery. Instead, it’s your chance to sink your ears into “one of the most sublime transitions Phish has ever pulled off,” the set-opening Story of the Ghost > Slave to the Traffic Light from Atlanta’s Lakewood Amphitheater, […]

At the Bode Museum

Playing the Building

(more photos) David Byrne’s installation transforms the Battery Maritime Building into a giant musical instrument, but the mysterious noises that emanate from all corners of the delightfully dilapidated industrial space have more in common with a late-80s Grateful Dead mid-set midi-freakout than whatever usually goes by “music.” Waiting and sweating in line for my turn […]

  • Tulpendiebe

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