Take your time: Olafur Eliasson is currently at MOMA and P.S.1. More Art with Strangers.

The 7th Jammy Awards

May 9th, 2008

OK, so Matisyahu covered the Flaming Lips, Rose Hill Drive and Leslie West raged Mountain’s Mississippi Queen, Sheryl Jones and Booker T did Born Under a Bad Sign (”and that’s fine”), that “smokeshowGrace Potter got Warren Haynes to take her to the river, Big Head Todd and Squeeze’s Glenn Tilbrook joined Tea Leaf Green for Pulling Mussles, Chevy Chase is buddies with jamclown Keller Williams, Joan Osborne belted Come Together, Stanton Moore dueled Doug E Fresh, and Page McConnell had the balls to lead jazz heavyweights Nicholas Payton, Christian McBride, James Carter, and Roy Hanes through two Phish songs.

Not too shabby, but that’s to be expected from the Jammys, Relix Magazine’s annual Theater at Madison Square Garden get-together that combines surprise collaborations with pleasant scene fluffing. Also, awards.

The only award that really mattered on Wednesday night, though, was Phish’s Lifetime Achievement Jammy (it’s fun to say!) because it was supposed to lure Trey, Mike, Jon, and Page out of rehab, seclusion, or wherever else they’ve been hiding since the 2004 breakup. The rumor mill had been churning hard, and it sort of worked: all four members showed up, sharing the stage for the first time since Coventry — but they didn’t play together.

Instead, Fishman made a joke, Page was sincere, Gordo wore purple pants, and Trey gave one of those heartfelt, halting speeches that have brought many a Phish show to a screeching stop — except this time he sounded more humble, and more final, than ever: “It was an honor to watch you all dance.”

Then they walked off, and it would have been terribly depressing if Trey hadn’t just finished playing with deliciously cheesy yet surprisingly tight Beatles cover band The Fab Faux. Phish or no Phish, sick or sober, Big Red can still — what’s the technical term? — melt faces. Here’s While My Guitar Gently Weeps.

More on the Jammys:

Everybunny Loves Spring

May 7th, 2008

Another herky-jerky time-lapse experiment, this time assembled from about 500 still photos I took on a walk through Astoria. Vimeo’s video compression adds an additional level of strangeness that makes this almost worth watching.

Queensday Afternoon

May 4th, 2008


2001: A Space Odyssey

April 30th, 2008



Forty earth years have passed since the Star Child first floated into view at the mind blowing climax of Stanley Kubrick’s 2001: A Space Odyssey, and to celebrate the anniversary of a movie full of birthdays, birth metaphors, and planet-sized foetuses, the Tribeca Film Festival put on a special screening followed by an extraordinary panel consisting of Apollo 11 astronaut Buzz Aldrin, screenwriter Ann Druyan, artificial intelligence expert Marvin Minsky, and actor Matthew Modine. Continue reading on About.com….

I managed to film the first 20 minutes of the panel:

2001: A Space Odyssey. Stanley Kubrick, 1968. *****


Between that movie about the Egyptian anesthesiologist who loves fish and the one about the family eating couscous, the best thing I’ve seen at Tribeca 08 so far was Isild Le Besco checking her email during Thursday night’s party at the Apple Store. [more photos]

Eugene HernandezMelvin van PeeblesAaron Hillis Eats a Complimentary Potato Chip
Tribeca Film FestivalAstor Place
Tribeca Film FestivalTribeca Film Festival
Tribeca Film FestivalTribeca Film Festival


The Secret of the Grain. Abdel Kechiche, 2007. N/R
The Aquarium. Yousry Nasrallah, 2008. **
Two Mothers. Rosa von Praunheim, 2007. ***

Yesterday, I escaped the puerile, disgusting, and (worst of all) staggeringly unfunny Poultrygeist to enjoy a banana in Central Park.

Today, unrelenting construction noise on our block makes me wish I could seek refuge at the Brooklyn Botanical Garden, where the cherries are in full bloom. They’ve delighted us in the past — but alas, the Tribeca Film Festival begins today, and Cannes announced the linup.

A vaguely appropriate Ginsberg poem has been added to my muxtape.

Poultrygeist: Night of the Chicken Dead. Lloyd Kaufman, 2006. N/R

For a few days each spring and fall, while the increasingly volatile meteorological pendulum swings from frozen sewer to sweltering garbage heap, New York City enjoys perfect weather. September 11, 2001 was such a day, and so is today — 60 degrees, not a cloud in the sky, and an unheard-of ratio of smiles to thrown elbows at the corner of Broadway & Steinway.

So why I am I still inside, blogging? To share a few linkworthy items, along with my ever-evolving muxtape and another lousy short film: whiplash and Mozart, together at last. If you’d like to join us for the season’s first open-air Jever, drop by the Astoria Beergarden later. I’ll be the guy pointing a camera at you.

Also of note: