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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Last Tube

Tim Borman (from Belgium) created a mashup that combines last.fm recommendations with an automated YouTube feed for your very own personal MTV. Here’s my channel. [via] And if that’s no good, watch Trey playing Last Tube: “If I could surf in milk, this is what it would sound like.”

Once in a Lifetime

Calendar says it’s been ten years to the day since we told the department head we’d be attending the conference on postmodernism and desire in Atlanta and instead skipped out to see the Phish Halloween show at the Omni. It was the night they covered Remain in Light. Here’s what fellow NYFCO critic Kurt Loder […]

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