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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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I use contemporary art like a day spa. In case I’m feeling out of sorts, a visit to Long Island City’s own art haven P.S.1 never fails to rejuvenate — it’s just slightly stranger than you expect, and I always leave in high spirits. This time around, there were endless video loops of cats tearing […]


Once a year, Americans like to celebrate their country’s greatness with giant psychedelic spectaculars that aren’t about anything but the now and the wow. I took some shots from Long Island City’s Gantry Plaza State Park, across the river from 42nd Street. You can view them as photo set or as slideshow.

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