jürgen fauth’s muckworld

Via idrinkyourmilkshake.com, where Blood obsession is still in full swing. Some recent favorites:

• Incredible revelations: the Peachtree Dance and Henry’s diary are both derived from East of Eden.
• Eli doesn’t get to bless the well, but he blesses Daniel’s house. More on the Greystone Mansion.
• Napkinface: “There is no sex.” More.
• Drinking, eating, smoking in There Will Be Blood, with screenshots.
• Running into this painting… and the way There Will Be Blood is infiltrating our lives.
• We still can’t agree it’s water, what Daniel says after the baptism, why he sleeps on the floor, and why H.W. sets the house on fire.
• Daniel Plainview as anti-hero.
• Best non-milkshake line?
• The Bible, Kubrick, and the opening sequence.
• David Bordwell takes a close look at Paul.
• And, of course, the Oscars (”Robbery! A base crime! WTF is wrong with these people?“)
• Milkshakes all around! SNL, NPR, Lego, and the New York Press.

I made it back to New York and just posted my final Berlinale piece on About.com. Below is a list of all Journal entries as well as an overview of the thirty-odd movies I saw.

Also: the official Berlinale site has video from the There Will Be Blood press conference — around 40 minutes in, you can watch me ask Paul Thomas Anderson about “I drink your milkshake!” I sure wish there was a wide shot of the podium so we could see Daniel Day-Lewis giving me the thumbs up, but it’s a nice record anyway. The site has been featured all over the web as well as in USA Today and Entertainment Weekly, but this was my favorite milkshake moment by far.

Berlinale Journal

• Berlinale Journal, Day 1
• Berlinale Journal, Day 2
• Berlinale Journal, Day 3
• Berlinale Journal, Days 4 &5
• Berlinale Journal, Day 6
• Berlinale Journal, Day 7
• Berlinale Journal, Days 8 & 9
• Berlinale Journal: The Awards
• Berlinale Journal, Wrap-Up

Films Covered, Sorted by Rating

1. United Red Army. Wakamatsu Koji, 2007. ****
2. Night and Day. Hong Sang-soo, 2008. ****
3. Megane. Naoko Ogigami, 2007, ****
4. Jesus Christ Savior. Peter Geyer, 2008. ****
5. Sparrow. Johnny To, 2008. ****
6. Wonderful Town. Aditya Assarat, 2007. ****
7. Quiet Chaos. Antonio Luigi Grimaldi, 2008. ****
8. Black Ice. Petri Kotwica, 2007. *** 1/2
9. Julia. Erick Zonca, 2007. *** 1/2
10. Another Love Story. Lúcia Murat, 2007. *** 1/2
11. Auge in Auge. Michael Althen and Hans Helmut Prinzler, 2008. *** 1/2
12. Transsiberian. Brad Anderson, 2008. *** 1/2
13. Gegenschuss. Dominik Wessely, 2008. ***
14. Heavy Metal in Baghdad. Suroosh Alvi and Eddy Moretti, 2007. ***
15. I’ve Loved You So Long. Philippe Claudel, 2008. ***
16. Katyn. Andrzeij Wajda, 2007. ***
17. Filth and Wisdom. Madonna, 2008. ***
18. Be Kind Rewind. Michel Gondry, 2008. ***
19. Chiko. Özgür Yildirim, 2008. ***
20. Happy-Go-Lucky. Mike Leigh, 2008. ***
21. Lake Tahoe. Fernando Eimbcke, 2008. ***
22. Standard Operating Procedure. Errol Morris, 2008. ***
23. Gardens of the Night Damian Harris, 2007. ***
24. Elegy. Isabel Coixet, 2008. ***
25. Kirschblüten - Hanami. Dorris Dörrie, 2008. **
26. The Other Boleyn Girl. Justin Chadwick, 2008. **
27. Shine a Light. Martin Scorsese, 2008. **
28. Lady Jane. Robert Guédiguian, 2008. **
29. Shiver. Isidro Ortiz, 2008. **
30. In Love We Trust. Wang Xiaoshuai, 2007. **
31. Ballast. Lance Hammer, 2008. *
32. Beautiful. Jaihong Juhn, 2008. *
33. Elite Squad. José Padilha, 2007 *
34. Coupable. Laetitia Masson, 2008. N/R
35. Asyl -Park and Love Hotel. Kumasaka Izuru, 2007. N/R
36. Restless. Amos Kollek, 2008. N/R
37. Leo. Josef Fares, 2007. N/R
38. Divizionz. Yes! That’s Us, 2007. N/R
39. Yasukuni. Li Ying, 2007. N/R

The promising first half of George Stevens’ Texan epic sets up a tiresome three-and-a-half-hour descent into mediocrity. Displaced northern bride Liz Taylor slowly fades from the center of the story, nouveau riche James Dean is woefully misused, children come and go, and Rock Hudson’s stubborn cattle rancher is granted an improbable redemption. Giant keeps pulling its punches, and in the end, it’s home sweet home and upstart Jett Rink lies under a table where he belongs. After 201 minutes, we have arrived in the cornball fifties, cheated out of any kind of pay-off, and that’s the real tragedy.

No doubt There Will Be Blood owes more to Giant than just the Marfa location; in fact, Anderson’s film feels like Giant’s evil twin, made up of all the scenes the other movie suppressed: the real drama, the truth of the matter. You know, the good scenes. After the jump, screenshots from both movies that seem to talk to one another, in the spirit of Kevin Lee’s influence spotting. Don’t click if you haven’t seen the movie yet: There Will Be Spoilers. For more Blood talk, I Drink Your Milkshake.com is the place.

Giant. George Stevens, 1958. ***

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