Between that movie about the Egyptian anesthesiologist who loves fish and the one about the family eating couscous, the best thing I’ve seen at Tribeca 08 so far was Isild Le Besco checking her email during Thursday night’s party at the Apple Store. [more photos]

Eugene HernandezMelvin van PeeblesAaron Hillis Eats a Complimentary Potato Chip
Tribeca Film FestivalAstor Place
Tribeca Film FestivalTribeca Film Festival
Tribeca Film FestivalTribeca Film Festival


The Secret of the Grain. Abdel Kechiche, 2007. N/R
The Aquarium. Yousry Nasrallah, 2008. **
Two Mothers. Rosa von Praunheim, 2007. ***

Berlinale Journal, Day 7

February 14th, 2008

I’m is happy to report that Madonna’s directorial debut Filth and Wisdom, premiering at the Berlin Film Festival, isn’t bad at all. Eugene Hutz of the gypsy punk band Gogol Bordello stars as a struggling London musician. Also, Antonio Luigi Grimaldi’s moving comedy of grief Quiet Chaos, Robert Guediguian’s misfire Lady Jane, and Naoko Ogigami’s lovely Megune (Glasses).

Read Day 7 of my Berlinale Journal.

Berlinale Journal, Day 6

February 14th, 2008

Mike Leigh’s Happy Go Lucky had critics buzzing, but I found myself shut out of the screening at the Berlinale Palast. Instead, I caught another worthy contender for the Golden Bear: Korean auteur’s Hong Sang-soo’s Night and Day. Later in the day, Errol Morris presented the first-ever documentary to screen in competition in Berlin, the Abu Ghraib investigation Standard Operating Procedure. I capped the day with the Gospel According to Klaus Kinski, as documented in Peter Geyer’s Jesus Christ Savior.

Read day 6 of my Berlinale Journal.

Berlinale Journal: Day 1

February 7th, 2008


Eleven days, five hundred movies, Madonna, Marty, and the Rolling Stones. Never mind Cloverfield: freshly arrived in Berlin for the 58th International Film Festival, Jürgen figures out that the real monster is the cuddly red bear that serves as its logo.

Read my Berlinale Journal on About.com.