The Assassination of Jesse James By the Coward Robert Ford Dullsville and then some. Artfully shot, for sure, but ripping off Malick isn’t as easy as it looks. The voice-over narration, always describing what we already saw, doesn’t create openings but locks the movie down even more than the airless, repetitive scenes between paranoid outlaws. [...]
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"A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme
"Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual force."– Teddy Wayne
"A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.
"A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment
"A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day
"Movie nuts arise! A happy and felicitous debut."– Terese Svoboda
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Recent Posts
Konsum: Turkey Parade
http://jurgenfauth.com/2007/11/27/konsum-parade-of-turkeys/
Ocean’s Thirteen
Counting Ellen Barkin and Mr. Soderbergh himself, more than a baker’s dozen of very talented people are completely wasted in this redundant bore. I get the idea all involved are having a blast making these movies, but by the second sequel of the first remake, the breeziness has turned smug and the exceedingly baroque casino-busting [...]
http://jurgenfauth.com/2007/09/19/oceans-thirteen/







