You may think of film criticism as a rather sedate pursuit, involving a lot of sitting around in the dark and scratching one’s beard. But in truth, the trenches of cinemania are treacherous ground. Never mind the blogger infighting and hordes of rabid fanboys waiting for you after you post — I’m talking about the [...]
-
"A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme
"Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual force."– Teddy Wayne
"A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.
"A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment
"A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day
"Movie nuts arise! A happy and felicitous debut."– Terese Svoboda
All posts tagged about.com
Extreme Viewing
Posted by Jürgen on September 9, 2008
http://jurgenfauth.com/2008/09/09/extreme-viewing/
Star Wars: The Clone Wars
It’s no secret that I love Star Wars — and not just “the old ones” but all six movies: their mythic scope, their conceptual and visual inventiveness, the cheesy characters and blunt dialogue, the structural complexity, the joy they take in speed and color. Star Wars: The Clone Wars, the all-new animated Star Wars adventure, [...]
Posted by Jürgen on August 11, 2008
http://jurgenfauth.com/2008/08/11/star-wars-the-clone-wars/
The Dhamma Brothers
One afternoon last week, I found myself explaining the benefits of transcendental meditation — and its much cheaper, guru-free alternative Natural Stress Relief — to a junkie at an East Village pizza joint. (He asked.) You see, I was predisposed to love The Dhamma Brothers, a documentary about inmates of an Alabama high security prison [...]
Posted by Jürgen on April 15, 2008
http://jurgenfauth.com/2008/04/15/the-dhamma-brothers/
Wetlands Preserved
From 1989 to 2001, the Wetlands Preserve flourished just off of New York’s Houston Street. Founded by a Deadhead, the club attracted rising bands in the burgeoning “jam bands” scene, along with ska and hip-hop acts, while maintaining an activism center that held “eco-saloons” and launched inventive street theater protests. Dean Budnick’s Wetlands Preserved, produced [...]
Posted by Jürgen on March 9, 2008
http://jurgenfauth.com/2008/03/09/wetlands-preserved/
Konsum: Terrified, She Waited
Two reviews of movies opening this week just went up on About.com: David Gordon Green’s drama Snow Angels and the Jason Statham heist flick The Bank Job. This afternoon, I’m seeing Michael Haneke’s U.S. remake of his own Funny Games, and press screenings for New Directors/New Films start tomorrow. In the meantime, a few items [...]
Posted by Jürgen on March 5, 2008
http://jurgenfauth.com/2008/03/05/konsum-terrified-she-waited/
Berlinale Journal, Day 2
The second installment of my Berlinale Journal is up, covering Shine a Light, Wonderful Town, Leo, and In Love We Trust.
Posted by Jürgen on February 9, 2008
http://jurgenfauth.com/2008/02/09/berlinale-journal-day-2/
Berlinale Journal: Day 1
Eleven days, five hundred movies, Madonna, Marty, and the Rolling Stones. Never mind Cloverfield: freshly arrived in Berlin for the 58th International Film Festival, Jürgen figures out that the real monster is the cuddly red bear that serves as its logo. Read my Berlinale Journal on About.com.
Posted by Jürgen on February 7, 2008
http://jurgenfauth.com/2008/02/07/berlinale-journal-day-1/
Tulpendiebe
