KINO is a fast, complex, exhilarating roadster ride through history and time, a mystery, a documentary, a remarkable remix of reality and imagination.

It is the story of a woman who becomes obsessed with her grandfather, a visionary film director in the Germany of the nineteen-twenties through World War II. Tracing the arc of his spectacular decline, she risks a husband and her ordinary life, but uncovers the powerful bindings of family, the sweet, dark loam of loss, and the instant-on high-voltage current of pulp fascism, dirty pictures, propaganda, cultural piracy, art and money.

It’s quick but complicated, feverish, trying, speculative, high-minded, and occasionally Goebbels-esque. Everything forced into close and incendiary quarters. KINO is intoxicating Euro-brew, written with enormous skill and dedication.

Frederick Barthelme

There Must Be Some Mistake

A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision.

Neal Pollack

Jewball

Jurgen Fauth’s deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual force.

Teddy Wayne

Kapitoil

Movie nuts, arise! A happy and felicitous debut.

Terese Svoboda

Bohemian Girl

A light-hearted romp that leads straight into darkness and back through the shadows on the wall.

Ben Loory

Stories for Nighttime and Some for the Day

A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jurgen Fauth is a writer of rare, sinister imagination.

Owen King

Double Feature