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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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“The Death Bird” at BLIP Magazine

The Death Bird,” an excerpt from Kino, appeared in the Fall 2012 issue of BLIP Magazine (formerly Mississippi Review), alongside authors such as George Saunders, Marcy Dermansky, Angela Ball, Meg Pokrass, and Bobbie Ann Mason.

We arrived at Ufa-Palast am Zoo in a dreamy state to see Murnau’s vam­pire movie. How can I describe it to some­one whose eyes have been sul­lied by decades of triv­ial images danc­ing by on TV screens? You’ll never under­stand the rap­ture, the hor­ror, the euphoric bliss I felt at the sheer visual sur­prise. With each pass­ing moment, with every new shot on the screen, waves of plea­sure rolled through me.

Read “The Death Bird.”

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