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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Revision Round-Up at Necessary Fiction

At Necessary Fiction, Writer-in-Residence Matthew Salesses asked a number of writers for their tips on revision. I chimed in with a bit about what I learned from the Grateful Dead.

Writing happens in layers, carefully applied, cut, reshuffled, blended, extended, and deleted, until the final product appears easy and flows well. It’s tempting to say that revision is where the real work happens, but neither part of the process is worth anything without the other.

Read the revision round-up at Necessary Fiction (scroll down about a third for mine.)

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