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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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On the Road with Mark Leyner

After the April event at KGB Bar, Behind the Book asked me to write a guest post for their blog about reading with Mark Leyner, whose books I used to carry around in my trunk. You can read “On the Road with Mark Leyner” at the Behind the Book blog:

I made a great many discoveries during that first year in America, and one of them was the work of Mark Leyner, which I immediately added to our traveling cross-country library. Unlike many of the books I cherished most, his novels – Et tu, Babe and My Cousin, My Gastroenterologist – had only come out recently, but in their wild play with language and pop cultural references, I saw them coming from a clear tradition of writers storming the heavens, afraid of nothing. They were also unmistakably contemporary, and that gave them an additional edge.

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