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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Atlanta Slave Appreciation

Atlanta 99

This post has nothing to do with Gone With the Wind or the South’s shameful history of chattel slavery. Instead, it’s your chance to sink your ears into “one of the most sublime transitions Phish has ever pulled off,” the set-opening Story of the Ghost > Slave to the Traffic Light from Atlanta’s Lakewood Amphitheater, July 4, 1999. Go on, click it. You won’t regret it. Trust me. I was there.

Ghost > Slave

Phish archivist Kevin Shapiro just released this soundboard recording during his latest “From the Archives” broadcast, which I highly recommend downloading in its entirety — every track is a gem. It also made me dig through my own archives for some of the earliest digital photos in my collection. One point three megapixels!

Atlanta 99

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