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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Giant

The promising first half of George Stevens’ Texan epic sets up a tiresome three-and-a-half-hour descent into mediocrity. Displaced northern bride Liz Taylor slowly fades from the center of the story, nouveau riche James Dean is woefully misused, children come and go, and Rock Hudson’s stubborn cattle rancher is granted an improbable redemption. Giant keeps pulling its punches, and in the end, it’s home sweet home and upstart Jett Rink lies under a table where he belongs. After 201 minutes, we have arrived in the cornball fifties, cheated out of any kind of pay-off, and that’s the real tragedy.

No doubt There Will Be Blood owes more to Giant than just the Marfa location; in fact, Anderson’s film feels like Giant’s evil twin, made up of all the scenes the other movie suppressed: the real drama, the truth of the matter. You know, the good scenes. After the jump, screenshots from both movies that seem to talk to one another, in the spirit of Kevin Lee’s influence spotting. Don’t click if you haven’t seen the movie yet: There Will Be Spoilers. For more Blood talk, I Drink Your Milkshake.com is the place.

Giant. George Stevens, 1958. ***





























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