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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Muckworld Roundup: Der Brennende Busch, Uncle Fe, Wharf Rat Anastasio

Sam Elliott #1Jürgen in Kreuzberg #2
UschiSiegessäule #2Kastanienallee
Riesling SkiesSon of Return of the Creepy Hot Dog

At muckworld, we’re so bleeding edge that some of what we do goes straight from experimental to museum piece, without ever hitting that crucial middle phase of widespread success. Der Brennende Busch, an German-language online lit mag I founded and edited sometime in the last century, has been archived at Deutsches Literatur Archiv Marbach — you can now search for and dig through the proto-blog design, artwork by Dusty Domino, and a collection of stories, essays, poems, and multimedia pieces I’m still proud of.

Speaking of art work: my uncle-in-law Frank Ettenberg, an artist living and working in Vienna, sent along this painting, which I liked quite a bit. It’s called ‘Sea Swoosh’, approx 8 x 10″, acrylic on enameled composition board, and you can click it to enlarge. Frank’s portfolio.

Finally, news from everybody’s favorite red-headed guitar hero, Trey Anastasio. After his recent run-in with the law, Trey’s been holed up at an upstate rehab facility, but he just came out of hiding last Saturday to play a show with the latest incarnation of Phil and Friends. Every song on the setlist somehow referred to his troubles, but the extended arrest joke suddenly gave way to naked sentiment with the second-set appearance of the heavyweight Garcia ballad “Wharf Rat.”

You can download the whole show via bittorrent or watch some shaky videos. Let’s hope Trey gets to go on another furlough when Phil comes to the City next week for an 11-night-run at the Nokia, starting on Halloween. Here’s “Friend of the Devil” from Glens Falls:

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