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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Eastern Promises

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I’m behind the curve on David Cronenberg’s Russian mobster tale of sin and redemption, so I’ll make this short. At any rate, I can’t discuss the narrative slights-of-hand I admired most without spoiling the film — so let’s just say that the acting by Viggo Mortensen, Naomi Watts, Vincent Cassel, and Armin Mueller-Stahl is top notch, the violence and spilled bodily fluids are uniquely Cronenbergian, and the script is a wonder of tightly wound efficiency. You can tattoo that on your kneecaps.

Eastern Promises. David Cronenberg, 2007. ****

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