• buy-from-tan

    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

  • Recent Posts

The Queen – Director’s Commentary

Frears, Mirren, Morgan. Photo: Eugene Hernandez/indieWIRE

I’ve watched and written about this movie more than once, but a DVD commentary with Stephen Frears and Peter Morgan was reason enough to give it another whirl. On the audio track, the film’s director and screenwriter are every bit as entertaining as they were at the NYFF press conference, but I was disappointed to find them somewhat reluctant to share tricks of the trade. Instead, they delight in pointing out jokes and sharing their favorite lines. (Peter Morgan’s is a single word: “Mummy?”)

There is, however, a short discussion of the meaning of the stag, and right before the end, they make a few incisive comments about the nature of truth. Apparently, The Queen gets all sorts of details completely wrong, most notably the sets. (They say in reality the inside of Buckingham Palace resembles a “dilapidated hotel.”) Yet nobody criticized the film for this, which leads Stephen Frears to observe that “plausability is more complex than just getting things right.” They end on an affirmation of the power of fiction: “You can only tell the truth by lying.” Amen.

The Queen. Stephen Frears, 2006. *****

Next Post

Leave a Reply

  • Tulpendiebe