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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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The Boss of It All

There’s a host of reasons why I make my modest living on the Internet and at the movies, but here’s one of the better ones: offices give me the creeps, and not just since the slapdash zoning violation filled with generator fumes and world-class drunks where I failed to catch a whiff of irrational exuberance. My aversion to soul-deadening cubes goes so far that I wasn’t able to stomach either version of The Office past the first few minutes.

But when Lars Trier makes a movie, I go. The Boss of It All is his first comedy–and his first Danish film–since The Idiots. Jens Albinus (also of The Idiots) plays an actor hired to impersonate the mysteriously absent CEO of a company about to be sold to Icelandic investors. The fish-out-of-water setup results in three kinds of humor: actor jokes, office jokes, and Icelandic jokes.

More on About.com when The Boss of It All opens next week.

Direktøren for det hele. Lars von Trier, 2006. ****

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