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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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The Big Easy



How not to do local color, y’all. Director Jim McBride lays on the Louisiana stereotypes in this Southern cop romance. From the first “Where are you at?” to the last gumbo party, the New Orleans details feel second-hand to me–and I’m just a German boy who happened to live there for a little while. I do know what Tipitina’s looks like from the inside, and that studio set wasn’t even close.

No matter. A Disney World version of New Orleans will serve just fine as backdrop for a steamy 80s love affair. Ellen Barkin, that strange and fascinating creature, plays a principled but inexperienced prosecutor who comes to investigate corruption in Dennis Quaid’s NOPD. There are murders to be solved, but never mind the plot. Quaid is all easy come-ons and grins as wide as Lake Pontchartrain, and you can’t wait for Barkin to let down her hair and be seduced while the Neville Brothers sing. With John Goodman, Ned Beatty, and Grace Zabriskie as “Mama.”

The Big Easy. Jim McBride, 1987. ***

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