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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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The Valley of the Bees

In this Czech New Wave film, the medieval warrior-monks who break the oath to their crusading order are thrown to the dogs: literally, down a deep well, to starving hounds who rip them to shreds. And yet, Ondrej wants to leave–after all, he joined only because his father threw him against the wall after he brought his new stepmother a wedding present of spring blossoms concealing a heap of dead bats. In other words, just another day in Bohemia.

When Ondrej runs off, his friend Armin, much more serious about the monk’s strict demands, is sent to chase after him and deliver swift punishment. The themes are grand — sin, murder, forgiveness — but the drama isn’t what makes The Valley of the Bees. The film’s sharp, rigorous style develops its own pull; it’s every bit as ascetic as the monks themselves.

Udoli vcel. Frantisek Vlácil, 1967. ***

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1 Comment

  1. That’s a lot of films about monks lately, what with into the Great Silence and Name of the Rose. Which is okay with me. It’s just an observation.

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