• buy-from-tan

    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

  • Recent Posts


Marcy’s been raving about this Victorian crime/love story for months, and after finishing Against the Day, I finally got around to it. Fingersmith is a period mystery that begins with a tip of the hat to Oliver Twist but quickly finds its own ground: Susan Trinder, an orphaned London thief, is sent to a remote country house as a maid to cheat a young lady out of her inheritance — and leave her in the madhouse. But the two fall in love… and then the plot goes through such carefully arranged reconfigurations that I can’t say another word for fear of ruining it inadvertently. Waters (Tipping the Velvet) has constructed a magic puzzle box of a novel that reveals layers upon layers of gothic surprises and 180 degree reversals, executed with deftness and astounding precision. The Guardian has the first chapter and a reasonably spoiler-free review.

Fingersmith. Sarah Waters, 2002. ****

Previous Post
Next Post
  • Tulpendiebe