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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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World Trade Center

WTCBW

Our mail these days looks like Ray Pride’s, times two, and we’re trying hard to work our way through a ridiculous stack of For Your Consideration screeners before the NYFCO awards meeting next week. It’s the only explanation I have for putting on Oliver Stone’s insufferable September 11 drama. Maggie Gyllenhaal and Maria Bello act their hearts out, but it’s no use–nothing can save this crushingly sentimental turd. At least United 93 had the good sense not to milk that day for “uplift.”

World Trade Center. Oliver Stone, 2006. *

[tags]oliver stone, film, 1 star, maria bello, nicolas cage, maggie gyllenhaal, michael pena, september 11, nyc, world trade center, schlock, terror, cops[/tags]

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2 Comments

  1. jhoffman

     /  December 4, 2006

    Eeegads. Did you watch the whole thing? I don’t think I could without vomiting. I recommend the book 102 minutes by Kevin Flynn & Jim Dweyer for anyone looking for facts about the who what when how of the WTC – shmaltz and jingoism I can do without.

  2. Kept my thumb on the fast forward button the whole way through. I can’t really deal with endless scenes of men buried alive, discussing baby names. On the other hand, the scenes with the Christian ex-Marine who talks about “the curtain that God made” and “all the good men it will take to avenge this thing”–those have to be seen to be believed.

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