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    "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

    "A light-hearted romp that leads straight into darkness and back through the shadows on the wall."– Ben Loory, author of Stories for Nighttime and Some for the Day

    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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The Queen

You can watch good movies again and again, but only great movies get better every time. Helen Mirren is getting all the press for her outstanding performance as QEII, but the writing is what made that performance possible. Peter Morgan’s screenplay manages to be at once historically specific and archetypal, using a unique week in English history to illustrate eternal truths about the balancing of power, innovation, and tradition, and he does it all with heartbreaking candor and genuine British wit. The Queen is superbly structured, doesn’t waste a second, and continues to reveal new layers of brilliance every time. I’m still trying to rewatch Shortbus, INLAND EMPIRE, Volver, and Pan’s Labyrinth before we vote for our awards next weekend, but this is one of my absolute favorite movies of the year.

The Queen. Stephen Frears, 2006. *****

[tags]5 stars, aristocracy, england, film, helen mirren, stephen frears, peter morgan[/tags]

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