• "A fast, complex, exhilarating roadster ride through history and time.... Kino is an intoxicating Euro-brew, written with enormous skill and dedication." — Frederick Barthelme

    "Jürgen Fauth's deft mashup of genre and historical period is both a full-throttle literary thriller of ideas and a contemplative examination of film and fascism. Kino is a debut of great intellectual  force."– Teddy Wayne

    "A surprising alternative history. Kino brings the golden age of German cinema to light with loving, sometimes gritty, detail and great precision." – Neal Pollack, author of Jewball.

    "A delirious melange of conspiracy, magic, sex, history, bad behavior, and cinema, Kino is a stellar entertainment, and Jürgen Fauth is a writer of rare, sinister imagination." – Owen King, author of Reenactment

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    "Movie nuts arise! A happy and felicitous debut."– Terese Svoboda

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Burden of Dreams

Still getting my head around this making-of documentary on Werner Herzog’s Fitzcarraldo, which turned out to be both more and less disturbing than expected. Less, because the catastrophes that bedevilled Herzog’s production in the Peruvian jungle aren’t quite on the scale of Apocalypse Now (as chronicled in Hearts of Darkness), and because Kinski is making more and more sense to me. In Burden of Dreams, he appears as the sanest person around–and that in itself is mighty disturbing. The real maniac here is Herzog, even though the film barely includes anyone else’s point of view. In the end, Herzog gives a rousing speech about his responsibility to make movies (“If we don’t articulate our dreams, we might as well be cows in a field”)–but it’s not his own life he risked trying to pull a boat over a mountain, and others had to die. The Criterion DVD comes with Les Blank’s short film “Werner Herzog Eats His Shoe.”

Burden of Dreams. Les Blank, 1982. ****

[tags]film, 4 stars, german, peru, werner herzog, klaus kinski, fitzcarraldo, dreams, documentary, filmmaking[/tags]

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  1. There’s a more recent interview with Herzog in the special features, where he claims that Blank didn’t provide the proper context for the scene where he talks about people losing their lives. He says that there was one accident with a canoe that he cannot be blamed for, and that there were sufficient safety precautions in place for pulling the ship across the mountain. This makes a pretty big difference, and it’s not the story that Burden of Dreams seems to tell at all.

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